Sunday, July 24, 2011
Shit List Day 4: Family Values
Friday, May 13, 2011
Pulling on the Marriage Thread
Friday, September 3, 2010
Number 19
Wednesday, December 30, 2009
Abigail Ottoman
Abigail: I was always attracted to boys and girls, and for a while I thought everyone was like that. At eighteen, I knew I was queer, but I only came out to a few people. I had my first girlfriend at nineteen and came out to my family. It was horrible; my parents cornered me and asked me lots of questions. My mom was really disappointed and things were tense for a while, but she and I have continued discussing sexuality for the last fourteen years, and she’s come a long way. Now I take her to queer film screenings and Gay Pride.
SL: What was it like to be queer then?
AO: Since I was under 21, I wasn’t able to go to gay bars. The only other way to meet queer people was through activism, so I joined this social/political group at the William Way center call Grass Roots Queers. The people were at least a few years older than I was, so, I didn’t really make friends but everyone was very caring toward me. I usually ended up collecting tickets and doing this and that at events. They wouldn’t let me drink at the parties, so I was very conscious that they saw me as a kid, but they were very supportive. There wasn’t any way to look for people my age who were queer except at school, and I went to a commuter college in the suburbs that was pretty straight, though I did meet my first girlfriend there.
SL: Coming out and becoming an activist are almost inseparable experiences for me too. Was there a gay student organization at your college?
AO: There was a listing for a gay organization in the campus directory, but when I tried to find out about meetings, I found out it was inactive.
SL: It was the same at my college. There would be a table set up for the gay group at campus events, but no one would stand behind it or even near it. How did you go from being a young queer activist to being a professional dominatrix?
AO: I was looking for some kink and glamor. I did it because I felt like it, and had no idea that I would continue doing it for so many years. It just seemed like something fun to try.
“How did you get into this?” is something that everybody has asked- clients and acquaintances alike. I think the question is more interesting than the pat story I’ve told hundreds of times, so I’ll spare you. While everyone’s origin story is unique, there are basically two types of story: I took up sex work from a place of empowerment and curiosity or I took up sex work out of desperation and powerlessness. People want to know which category my story fits into so that they can either comfortably ask for titillating details or feel scandalized and superior. It isn’t a neutral question.
SL: Good point. Tell me about your shows at Charlie’s Dream?
AO: Charlie’s Dream was a sex emporium, where you could buy movies, magazines, sex toys in the front, then in the back you could see girls in a peep show, and there was a bar with a stage for sex shows, and then there was a theater where we did our show on stage. It was small stage with theater seating.
Our shows were very dramatic, each one had a very specific role play theme and yet usually ended the same way, with some sort of dildo action whether they began as I would be wearing a diaper being baby sat by a mean babysitter or I would be a patient in some sort of sex hospital or what have you. Office and school scenes were my favorites. It was me and another woman who is still in the business and we did our show on Saturday afternoons for about six months. Our last show was a vampire theme. We used red lights and I was covered in fake blood and I drank all these shots of vodka before the show.
SL: I loved Charlie’s Dream. I will never forget that place. I think it was kind of my dream too. But while that show lasted 6 months or so, you spent years doing sessions with clients in various venues. What is something you learned from this larger experience?
AO: One of the most important- and least talked about- parts of sex work is doing consultations with prospective clients. For me, it involved walking into a tiny consultation room, sitting down across from a complete stranger, and starting a conversation that was intimate yet professional. I had a few minutes to find out (or figure out) a client’s fantasy and immediately match his enthusiasm for it, while expressing professional competence, confidence, and sexiness in a way that was calculated to appeal to that particular client. Being able to communicate well by listening, making eye contact, asking questions, and smiling is more important than knowing intricate bondage or how to use every piece of equipment possible. Expertise is important for maintaining a regular clientele, but you have to have communication skills first and foremost.
SL: What was the work itself like for you?
AO: I did dirty things all day and intermittently hung out with a bunch of other women who were into hanging out and doing dirty things.
I was just thinking about this today-- I collaborated with people on creating situations in which they could focus solely on sexual pleasure. I got to be with so many different people while they were having an orgasm, which is a really special time to have with people. I didn’t have to deal with any other aspects of their lives or emotions, just their desire for and expression of pleasure.
I was very choosy about the kind of clients and sessions I wanted, and I was lucky enough to make enough money that way. I preferred some clients to others and some activities to others, but I was very aware of that. I was lucky in that I was able to be choosy enough to tell clients that I didn’t think I was right for their fantasy if I didn’t want to do what they wanted. Of course, it wasn’t always so simple; sometimes I needed to take clients I didn’t like or connect with, but I was careful about making compromises I could live with, which I imagine is part of every job. I got to sit down with people and talk about how to create the most fulfilling hour of their day, and then carry out the plan. To spend my workday that way was amazing.
SL: What kinds of things happened in your sessions?
AO: Fetishes, fantasy role-play, bondage, dominance and submission, etc. I did things that are as weird, disgusting, sadistic, and humiliating as anything you can think of, but I was always focused on honoring my clients’ wishes as respectfully as possible. Sometimes it also meant doing very silly or vanilla activities.
There are so many ways to explain what professional BDSM is. People always want to know if it’s prostitution, and every dominatrix says no, but it’s actually a really challenging question. There’s a judicial checklist of financial and physical situations that in various combination are illegal, but the items on the list are extremely vague, so one session you might be doing something that is considered prostitution and the next you may merely be committing tax evasion.
I could give you a long list of alternately titillating and disgusting activities, but I’d rather say that I worked with clients on negotiating and fulfilling their (often secret) desires. Feeling pleasure may be easy, but expressing the truth about what you desire- talking about what you want, how you want it, and what kind of person you want it to be with, can be very difficult for people. We’re taught that a very narrow range of feelings, thoughts, sensations, and activities are acceptable. Everybody is turned on by something that others might find strange.
Tuesday, November 24, 2009
ACT UP NEW YORK: ACTIVISM, ART, AND THE AIDS CRISIS 1987-1993
The exhibition chronicles New York’s AIDS Coalition to Unleash Power (ACT UP) through an examination of compelling graphics created by various artist collectives that populated the group, including Gran Fury, Silence=Death Project, Gang, and Fierce Pussy. The exhibition also features the premiere of the ACT UP Oral History Project, a suite of over 100 video interviews with surviving members of ACT UP New York that offer a retrospective portal on a decisive moment in the history of the gay rights movement, 20th-century visual art, our nation’s discussion of universal healthcare, and the continuing HIV/AIDS epidemic. The exhibition ACT UP New York provides an opportunity to reinvigorate a debate around the realities of HIV/AIDS today, and about the links between visual art, political activism, health, and human rights.
A central theme of the exhibition is the intersection of art and activism, and much of the exhibit amounts to an archive of visual activism and oral history. The exhibit spans two separate galleries. The first gallery contains the ACT UP Oral History Project and some large-scale visual art, including a fabulously wheat pasted women’s bathroom by Fierce Pussy. The upstairs gallery has a timeline of milestones, films installed on a loop with a single bench to sit and watch, and a display of posters and stickers. There are also some prints of the original posters available for visitors. The film installation includes work by DIVA TV (Damned Interfering Video Activists) and United in Anger: A History of ACT UP by Jim Hubbard, co-founder of both MIX NYC and the ACT UP Oral History Project.
Upstairs, I got totally caught up in the film installation and found myself watching it in its entirety. One of the films included an expose on the biased media coverage of the 1989 ACT UP and WHAM! (Women’s Health Action and Mobilization) Stop the Church action at St. Patrick’s Cathedral. Watching this transported me back in time. It made me realize that even within the incredibly homophobic coverage of the action, enough truth squeaked through to have a powerful impact on my life’s direction. This is no overstatement. I was a kid and learned about the die-in from TV, but even with this very condemning media coverage I still identified with the protesters. At 15 in my parent’s house, I came to life for that brief footage. It was one of those pivotal life moments.
At the exhibit here in the present, I learned that the media got this footage from a participating activist, edited the hell out of it and excised reproductive freedom entirely from their coverage. But even in that limited, incomplete footage, I had seen my queer future, and shivered in my suburban closet. Through the haze of media disapproval and selective reporting, I saw not only the commitment and integrity of the protesters but also what they were up against. I was an angry teenage girl seeing people stand up to those sexist old fucks in the church, confronting Cardinal O’Connor as nothing more than a creepy old man who had so much say over the stories we tell ourselves about sex. He had so much say over what little conversation there was about HIV/AIDS. Seeing Cardinal O’Connor step over bodies was the perfect non-metaphor for what was happening. This action was more than symbolic, it was literally true.
For context, three years prior to the Stop the Church action, Cardinal Ratzinger wrote: “When civil legislation is introduced to protect behavior to which no one has any conceivable right, neither the Church nor society at large should be surprised when other distorted notions and practices gain ground, and irrational and violent reactions increase.” I heard a portion of that statement in one of the videos, and I felt compelled to track down the exact quote and read it a couple times in an effort to understand the depth of the immorality we were and are up against.
| 1981 |
| 1991 |
I watched some footage of a group decision-making process in the midst of an action. A group of protesters at City Hall was trying to come to consensus about whether or not to block traffic to the Brooklyn Bridge. Some were ready to go, others wanted to wait for more media to arrive to maximize coverage. Showing even such a minor disagreement is critical to preserving a real history. There was also some footage of non-violent civil disobedience training. It was great to see this collaboration documented, to keep away the mythologizing of spontaneous demonstration when there is so much planning, training, debate, and plain old hard work that goes in to making art, protests and demonstrations.
Downstairs, the ACT UP Oral History Project is set up with 14 monitors each displaying a different set of full-length interviews for a total of 102 interviews, many over an hour long. Each monitor is set up with 2 pairs of headphones and two seats. The arrangement lends itself to listening with a friend. The set-up itself seems to request that you share the interview and enter into a conversation, rather than passively listening or keeping what you hear to yourself. It suggests not only learning but also engagement.
The interviews contain personal stories and the larger story of collective action making a difference. In one interview I was watching, the person being interviewed recalls a specific action at a Republican fund raiser. Off-screen interviewer Sarah Schulman, co-founder of both MIX NYC and the ACT UP Oral History Project, asks questions like, "Who else was there, what were their names?" With this line of questioning, we are hearing not only one individual’s history but also learning our shared history, who we lost, what they did, what ideas they had, what art they made. And we witness their grief.
The oral histories are now available to students to use in their research projects and available for scholarly study through Harvard University. And I have some hope that the attention of this particular school has the potential to act as an intervention into academic amnesia about the HIV/AIDS crisis, or maybe even staunch the flow of our history from being drained away by the likes of national public radio. Maybe amnesia is not the right word, it is more deliberate ignorance of both recent history and the current crisis. The preservation of these oral histories is in direct defiance of the way our lives and realities are so often ignored. In this way, it seems to be a direct continuation of the work of ACT UP in demanding to be seen, acknowledged and recognized as people.
The feeling I took away from the exhibit was nothing less than a moral obligation to continue to work in the same way, by identifying the root causes of injustice and going after them while at the same time not losing track of the real world details that need to be addressed on a daily basis. The feeling mirrored the time I saw the Stop the Church action on the evening news 20 years ago, but this time there was also a rare sense of external recognition of my cultural identity as queer person. The disapproving lens was gone, temporarily lifted to reveal a space full of visible, audible expressions of who we are, what we do and how we love. The exhibit provides a mirror where we actually show up as a community with some shared values and shared history, demanding to be fully recognized as human beings without any qualifications, without trotting out today's tired argument that we are fully human because of how similar we are to straight people, because we have jobs and go shopping, etc. No "because" at all. Just respect.
Monday, February 9, 2009
Catholics
Why is it that whenever I talk to straight people about my opposition to marriage, I always find myself reassuring them that I am not judging their marriage or their choices? They never feel the need to reassure me that they are not judging me when they talk about marriage or discuss who is engaged or any of the other choices they know very well I have consciously and deliberately ruled out of my life. Straight privilege means never noticing that these conversations silence queerness by drowning it out with repetitive straight clichés.
When a straight person tells me “I am a catholic,” it never occurs to them to reassure me that they disagree with their church’s views about sexuality or contraception or abortion or any of the other things I feel strongly about. It never occurs to them to point out that they do not stand by the pope’s views about homosexuality. It never occurs to them to point out that they do not stand by the church’s destruction of ancient and irretrievable books, its inquisitions, its crusades, its complicity with the holocaust and ongoing complicity with the AIDS crisis. We are talking about the people who created the witch hunt, after all, why not at least pay lip service to this two thousand year abuse of power? How much does an indulgence run these days, anyway?
Yet when I say that I am opposed to marriage, I always find myself offering some comforting words to them so they know I am not opposed to their marriage. I care about their feelings and our relationship. I guess I am prioritizing the relationship over my ideas, which has its pro’s and con’s, but clearly the caring is not reciprocated. Part of straight privilege is being comfortably certain that you will rarely be called upon to explain your relationship choices, or consider how your words, actions, beliefs, values and omissions might be painful for others.
So the catholics now have a pope who has been a fanatical opponent of queer people since he was in the seminary. We are Ratzinger’s favorite topic going way back in his hate-fueled career. This is the same guy who was protested by Queer Nation in NYC back in the late 80s. He said in his 2008 year-end remarks that humanity needs protecting from the threats of homosexuality, transexuality and gender theory as much as the environment needs protection from destruction. It made me wonder who he is referring to with the word “humanity.” In more than 20 years, this man has not moved an inch in his hatred and condemnation of queers. Is the pope’s humanity the same humanity that led the Vatican to refuse to sign on to a UN proposal for nations around the world to decriminalize homosexuality? Ratzinger extends open arms to a holocaust denier but looks the other way at state sponsored murder of homosexuals. In Iran, Saudi Arabia, Yemen, United Arab Emirates, Sudan, Nigeria and Mauritania, homosexuality is punishable by death. The catholic church has made it very clear that for the Vatican, condoning the actions of states that put homosexuals to death is preferable to signing on to legislation that would suggest condoning homosexuality. People are being punished and even put to death, but they won’t sign on to a resolution to stop the killing because that would also marginally condone homosexuality. How dense do you need to be to continue to be a part of a church that calls itself pro-life yet holds this untenable position?
Humanity looks quite different to me than it does to this pope. Clearly, my personal humanity and the humanity of my kind is not in need of protection in the eyes of Ratzinger. It sucks to realize you have a more expansive view of humanity than this little old turd who gets to be a world leader. The humanity of four trans women who were murdered in Memphis, Tennessee over the course of 2008 is the kind of humanity I find deserving of protection. The pope missed this fact in his year-end reflection. One of the women, Duanna Johnson, was beaten by police officers in June, was planning a lawsuit against the city, and was mysteriously found dead in November. So where exactly does the threat of transgenderism show up? What threat did these women pose to humanity? The question I continue to ask myself is: When do I start holding the catholics in my life accountable for the position of their pope and church? When will I start to ask the catholics I know to have some integrity? Identifying oneself with catholicism is not a neutral position any more than identifying with a political party, and a very mean-spirited and vicious one at that. Either stand up to this fuck or leave his church. Whose humanity really needs protecting here?